Monday, 30 December 2013

Experiments with colour

A1

A1


A1

A2

A1

A1

I experimented with different coloured backgrounds, I wanted to know what would and wouldn't work. I feel that the orange, pink and blue backgrounds work best.
I'm interested in the layers of paint that you can see - sometimes when the marks over-lap you can see the colour from the mark underneath.

Thursday, 12 December 2013

Experiments with shape

untitled, 117x83cm acrylic paint on paper, Dec 2013


untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on, Dec 2013

Tuesday, 10 December 2013

Printing experiments

A6 - ink and acrylic paint on card

A5 - ink and acrylic paint on card

                                                    A5 - ink and acrylic paint on card

Monday, 9 December 2013

Portraits

Portrait that the model was expecting.

Portrait that the model wasn't expecting - caught off guard. 

Photo of an object taken like it was a portrait.

I thought about doing a 'traditional' portrait, like the one you do in school, eyes on the camera, feet to the side, hands on your lap. But then I started over-thinking it and decided to carry my camera around all day and wait for an opportunity. That way I could get an expected and un-expected portrait of the same person.

Friday, 6 December 2013

Thursday, 5 December 2013

Experiments on brown paper





experimenting with printing with everyday objects - sponges, rubbers, hands, pencils etc..

I also fancied a change from the normal white rectangle paper. so experimented with brown paper.

Kandinsky research


   
I looked at Kandinsky in relation to my Journey Project in Drawing, but it ended up sending my printmaking work in a different direction.

Drawing:
I had some drawings and photographs of everyday objects, but I needed a way to combine my experiments into one piece. Looking at Kandinsky’s paintings, it dawned on me that I could draw all the objects on a bigger piece of paper and compose them so that there centred towards the middle of the page. My aim is to make a drawing that shows every day seemingly boring objects into something interesting.

Print:

I started out on plain white backgrounds on A1 paper, but then decided to experiment with a blue background which I think added more depth – the contrast with some of the colours is stronger than it is with the others which makes the piece look more three dimensional, like some of the objects are hovering slightly above the others.   

Wednesday, 4 December 2013

Notes on Visiting Artist No. 4: Serena Korda


Start with inspiration: early 1980’s – 1990’s pre-CGI horror films
A short history of the world by H.G.Wells
Focus on over looked or forgotten stories
Likes showing the process in her work – won’t just exhibit final pieces but will show the how the work has developed.
Believes that objects have a secret life and aims to show it – puppets, the relationship between people and objects
Korda did a one week residency at Camden Arts Centre in which she decided to let the public takeover the work she produced – had many polystyrene bricks which looked like wood and lets people create their own structures like a game of giant Jenga. This exposes the process – it become the art along with the finished result.  She then created a performance around the ‘wooden’ blocks – it was magical and fairy-tale.
Dirt:
1836, the dust heap – brick makers brought the dust to make bricks with for cheaper buildings. The towns where growing out of their own dust. She collected dust from places and family and friends to make bricks then buried them in a public park – wanted to take the work outside of a gallery – so everyone could see it.  Also did a performance – the brick makers dance – using the movements that she made when making the bricks. It’s very physical hard work – and the dance was very flowing and warm.
WAMA – dance phrase:
Sheep – cotton
May pole dancing
First art council grant – make own film
Madness - not being able to express themselves
Beatle mania – women just seem to scream, relationship between fans and musicians stopped being about the music
Animal symbolism: spider – women
Our fears come out in our music/films
It asks the audience to work harder

15ft monster – took 5 people to puppeteer it. Made of chicken wire, bamboo, clay etc…
Too big for the studio – challenge
Blackpool tower – circus - animals - who’s looking at who
Have life breathe into it by people
Boggets – folklore: the awaking by school kids

Film of black cat – 13th – familiar, house, domestic
Black cat auditions – went round to people houses and got a still image of the cat.
Sculptural – eye level, like a Dalek, eyes of the cat in the screen

The places are to do with the art – thought through
1940’s sink a ship performance
Directed – storyboard, crew, low budget, 1 day shoot, short film

Performance – momentarily, documentation of an event, not too worried about the quality – it just proves that it happen, it exists.

Monday, 2 December 2013

Presentation on Documentation

Group activity in CPS - we were put into 2 groups. One groups did a presentation on presenting work and the other (my group) did one on documenting work. 

Create a list of where documentation is used:
  • Blogs
  • Books
  • Journals
  • Newspapers
  • Websites
  •  Notebooks
  • Photographs
  • TV/film/video
  • drawings/sketchbooks
  • voice/audio recordings
How do we document our artwork?
  • Blogs
  • Notebooks
  • Drawings
  • Sketchbooks
  • Photos
  • Gallery/witnesses
Key pieces of information to document artwork:
  • Date
  • Title
  • Size/scale
  • medium
  • Name of artist
  • The inspiration behind the piece 
What equipment do you need to document your work?
  • Camera
  • Sketchbook
  • Pen/pencil - writing material
  • Video recorder
  • Computer
  • Audio/voice recorder
  • Witness
Why is it important to document artwork?

Proof that it exists - it could get damaged, lost or you might have to get rid of it one day because its an old piece of work and to big to store anywhere.

Thursday, 28 November 2013

Drawing Presentation with Notes





I chose this drawing because it caught my attention in the Gallery as soon as I saw it.

I recognised the image from the orbit tower from the 2012 Olympics, but was seeing it in a completely different way. 

The piece is about 1.5 x 2 m

It was 1 out of 60 other drawings to be shortlisted for the Jerwood Drawing prize.

The artist was inspired to do draw orbit because it had a really interesting structure.

This piece is just one of a series of large-scale drawings portraying the progress of the London 2012 Olympic site in the east end.

To me, the most interesting aspect in this drawing is the over-use of line. I'm really interested on line in my own work - She uses line really well.

Explosion on line

The thought the artist put into it really shows– she wanted us to view its development and unique form from every angle and that works really strongly with her style of drawing as well. 

This drawing was a conclusion of many much smaller observational sketches of the structure that were done over the period of time when it was being built. Barnes would draw everything from different viewpoints over many months then head back to her studio and try and compress them into one huge piece.




Scale of the drawing compared to others in the Jerwood Space Gallery as part of the 2013 drawing prize.

 
I decided to make the presentation very visual, I used photos of the drawing I'd chosen and a two and half minute video of the artist talking about her work and how her was inspired to draw it.
 
The notes that I have included on this post are the notes which I had in front of me when giving this presentation.
 
I think that the audience preferred watching a video of the artist talking about her work rather than me talking about what I had found out about it. It makes a lot more sense to hear what the artist makes of their work, because no one knows as well as them what it is about.
 
Images of work from(accessed on 12th November 2013):
 
 


 
 

Wednesday, 27 November 2013

Visiting Artist Number 3

Ajay Kanwal - professer in India:

Sculpture that you can wear made of little tiles that he sews together by hand. each tile is about 1mm squared, they are made of clay and fired in a really hot kiln.

He is interested in the contrast between reality and illusion.

Most of his work is up to 40ft long that you can walk on, to much smaller piece that are on the wall. Most of the larger work is made up of smaller piece placed together.

Kanwal wants to study the viewer, he treats his art as a study so he learns from each piece and its concept.

He has done some pieces where he took apart household furniture from the floor and reassembled it flat on the wall - turning 3D objects into 2D artworks.

'Shadow out of frame'

'Illusion' - A box shelf with a sheet of glass in the middle, the same object placed the side of the glass so it looks like a reflection.

'Horizontal Drop' - A light bulb on the end of a tap, put on its side.

'Weight Weightless' (pictured above) - Floating weight in real water, they are ceramic and hollow.  

'It's My Turn' - A big lock on a small case. Humour - the lock is always being carried by the case, this is the opposite.

Tridip Sarma - MA Student in India:

Working with showing the positive and negative space, seeing the inside and the outside.

'Circus of life' - A huge wallet and a small monkey, meant to show how man is controlled by money - the monkey symbolises evolution.  

Monday, 25 November 2013

Sound Project


Sound project - a mixture of what I feel are annoying sounds, trains, hammers, washing machines ect...
I have combined them into one truly annoying sound.

Monday, 11 November 2013

Nettie Wakefield Presentation


Group presentation of Nettie Wakefield, whose work I saw at the Jerwood Gallery in London at the end of October

By Louise Child, Ryan Thompson and Joanna Webster:











Friday, 8 November 2013

Journey Project Drawings


 Drawings of everyday objects:


30x30cm, Pencil, graphite stick and white acrylic on paper, Nov 2013

30x30cm, Pencil, graphite stick on paper, Nov 

30x30cm Pencil, graphite stick and white acrylic on paper 


Untitled, A5, pencil, charcoal and white acrylic paint, drawn from a photo.



A5 pencil, graphite stick and white acrylic, drawn from a photo.




Thursday, 7 November 2013

Sponge Repeat


Sponge Repeat, 97x148cm, November 2013, acrylic paint on paper.

Under the surface - printing with acrylic paints with a cut up sponge - the shapes on the sponge where inspired by London photos and previous prints. the repeating style was inspired by Andy Warhol.

Journey Drawing Project Photos

Photographs of the everyday journey:

"You need to let the little things that would ordinarily bore you suddenly thrill you" - Andy Warhol




                                     













“A picture means I know where I was every minute. That's why I take pictures. It's a visual diary.” 

―Andy Warhol