Monday, 30 December 2013

Experiments with colour

A1

A1


A1

A2

A1

A1

I experimented with different coloured backgrounds, I wanted to know what would and wouldn't work. I feel that the orange, pink and blue backgrounds work best.
I'm interested in the layers of paint that you can see - sometimes when the marks over-lap you can see the colour from the mark underneath.

Thursday, 12 December 2013

Experiments with shape

untitled, 117x83cm acrylic paint on paper, Dec 2013


untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on paper, Dec 2013

untitled, 83x59cm acrylic paint on, Dec 2013

Tuesday, 10 December 2013

Printing experiments

A6 - ink and acrylic paint on card

A5 - ink and acrylic paint on card

                                                    A5 - ink and acrylic paint on card

Monday, 9 December 2013

Portraits

Portrait that the model was expecting.

Portrait that the model wasn't expecting - caught off guard. 

Photo of an object taken like it was a portrait.

I thought about doing a 'traditional' portrait, like the one you do in school, eyes on the camera, feet to the side, hands on your lap. But then I started over-thinking it and decided to carry my camera around all day and wait for an opportunity. That way I could get an expected and un-expected portrait of the same person.

Friday, 6 December 2013

Thursday, 5 December 2013

Experiments on brown paper





experimenting with printing with everyday objects - sponges, rubbers, hands, pencils etc..

I also fancied a change from the normal white rectangle paper. so experimented with brown paper.

Kandinsky research


   
I looked at Kandinsky in relation to my Journey Project in Drawing, but it ended up sending my printmaking work in a different direction.

Drawing:
I had some drawings and photographs of everyday objects, but I needed a way to combine my experiments into one piece. Looking at Kandinsky’s paintings, it dawned on me that I could draw all the objects on a bigger piece of paper and compose them so that there centred towards the middle of the page. My aim is to make a drawing that shows every day seemingly boring objects into something interesting.

Print:

I started out on plain white backgrounds on A1 paper, but then decided to experiment with a blue background which I think added more depth – the contrast with some of the colours is stronger than it is with the others which makes the piece look more three dimensional, like some of the objects are hovering slightly above the others.   

Wednesday, 4 December 2013

Notes on Visiting Artist No. 4: Serena Korda


Start with inspiration: early 1980’s – 1990’s pre-CGI horror films
A short history of the world by H.G.Wells
Focus on over looked or forgotten stories
Likes showing the process in her work – won’t just exhibit final pieces but will show the how the work has developed.
Believes that objects have a secret life and aims to show it – puppets, the relationship between people and objects
Korda did a one week residency at Camden Arts Centre in which she decided to let the public takeover the work she produced – had many polystyrene bricks which looked like wood and lets people create their own structures like a game of giant Jenga. This exposes the process – it become the art along with the finished result.  She then created a performance around the ‘wooden’ blocks – it was magical and fairy-tale.
Dirt:
1836, the dust heap – brick makers brought the dust to make bricks with for cheaper buildings. The towns where growing out of their own dust. She collected dust from places and family and friends to make bricks then buried them in a public park – wanted to take the work outside of a gallery – so everyone could see it.  Also did a performance – the brick makers dance – using the movements that she made when making the bricks. It’s very physical hard work – and the dance was very flowing and warm.
WAMA – dance phrase:
Sheep – cotton
May pole dancing
First art council grant – make own film
Madness - not being able to express themselves
Beatle mania – women just seem to scream, relationship between fans and musicians stopped being about the music
Animal symbolism: spider – women
Our fears come out in our music/films
It asks the audience to work harder

15ft monster – took 5 people to puppeteer it. Made of chicken wire, bamboo, clay etc…
Too big for the studio – challenge
Blackpool tower – circus - animals - who’s looking at who
Have life breathe into it by people
Boggets – folklore: the awaking by school kids

Film of black cat – 13th – familiar, house, domestic
Black cat auditions – went round to people houses and got a still image of the cat.
Sculptural – eye level, like a Dalek, eyes of the cat in the screen

The places are to do with the art – thought through
1940’s sink a ship performance
Directed – storyboard, crew, low budget, 1 day shoot, short film

Performance – momentarily, documentation of an event, not too worried about the quality – it just proves that it happen, it exists.

Monday, 2 December 2013

Presentation on Documentation

Group activity in CPS - we were put into 2 groups. One groups did a presentation on presenting work and the other (my group) did one on documenting work. 

Create a list of where documentation is used:
  • Blogs
  • Books
  • Journals
  • Newspapers
  • Websites
  •  Notebooks
  • Photographs
  • TV/film/video
  • drawings/sketchbooks
  • voice/audio recordings
How do we document our artwork?
  • Blogs
  • Notebooks
  • Drawings
  • Sketchbooks
  • Photos
  • Gallery/witnesses
Key pieces of information to document artwork:
  • Date
  • Title
  • Size/scale
  • medium
  • Name of artist
  • The inspiration behind the piece 
What equipment do you need to document your work?
  • Camera
  • Sketchbook
  • Pen/pencil - writing material
  • Video recorder
  • Computer
  • Audio/voice recorder
  • Witness
Why is it important to document artwork?

Proof that it exists - it could get damaged, lost or you might have to get rid of it one day because its an old piece of work and to big to store anywhere.